Highway typeface | Young Jerks
If you are smart, you will buy this. Handcrafted by Dan Cassaro of Young Jerks.
Louie C.K. Quotes | Jon Contino
I’ve always been a huuuuge Louie C.K. fan, and these are just adding to it. Some kickass illustration and lettering used to promote season two of “Louie” on FX.
Wise Men | Young Jerks
Some more awesome typography from my man Dan Cassaro, we saw him speak last year at Weapons of Mass Creation. Be sure to check out his portfolio some truly great work.
New lettering for a book by Stuart Nadler.
Fun fact: This was an outtake that I threw out and subsequently threw up on Dribbble. The art director ended up seeing it and we rescued it and ended up using it for the final cover. I truly am a terrible judge of my own work.
Anderson Design | Product Packaging
WOW. There is a serious doubt in my my mind that eggs have ever looked so good. This execution is incredible, down to earth, friendly and displays a feeling of them coming from a local farm. I love the color palette as well, warm and friendly. Kudos to Anderson design on a job well done.
View their full portfolio here.
Kalimera Co., | Identity
A very well executed brand that uses black as it’s primary color, with some subtle texture applications, beautiful/simple typography and nice imagery. Yes, I love this.
(Source: behance.net)
Environmental Spaces | studio walls
This is temperature sensitive ceramics, but when typography is involved.. it just becomes awesome. I found a company that sells the materials here.
These are getting framed for sure. Thanks @lbrowndesign !! #typography #type #letterpress (Taken with instagram)
Tablet Gothic - typography
I think you will start to see this happening more and more often with any newly designed typefaces (at least the typefaces that are well designed, anyway.)
” Tablet Gothic was originally engineered as a titling type family, meant to help designers working on publications that require output as hard copies and a variety of digital platforms at the same time. As such, it is a grotesque sans serif that looks to the future of publishing with a clear understanding of its history, and reminiscences that go back to nineteenth century Britain and Germany.”
